The National: New Australian Art

Elizabeth Pulie practices within the antagonisms of art in the current moment, where modernism’s reflexive, self-critical project via the object is over yet art practice and production remain. Simultaneously engaged in studio and theoretical work, she aims to embody the separation of art as concept from its object in a view of practice as performative. The objects of Pulie’s practice – currently involving painting, weaving, collage and embroidery – represent the contemporary’s sense of freedom, self-expression and an infinity of form, while she makes an antithetical ‘end of art’ statement in her theoretical project via research, writing and presentations.

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